Yes, I guess also the drum beat could help me to mask some problems with the vocal.

So in your opinion, the adaptation of a vocal to a remix can contain inevitable rhythm imperfections, dictated by the fact that that vocal was constructed for a track that was perhaps "similar" but still different?

For me, the fact that there are some imperfections is not a problem, I think it is precisely in the nature of the remixes. Obviously I wouldn't want there to be a lot of imperfections..

Ok, so you stretch your sample to be sure it fits on the lines of the playlist.

And if there is a word or something like this which doesn't fit with the lines after the stretch, you cut it and drop where you need it to be. Using delay and reverb to mask the thing...

Great, I've to try.
With the SHM track I've the feeling that also the way he says the words is a bit slower that the bass and kick at 126 bpm, so maybe it needs another stretch...

Thanks for the reply artmast!

How can I check if the vocal sample has a bpm assigned?

I changed the bpm of all the stems, including the drums. And the drums are precise on the metronome, so there's no problem there... So it's a little strange to me...

Thanks for the reply, Ziolo.

So you recommend me to stretch the vocal and do some cut and draw to position the beginning of the individual vocal moments on the precise grid, right?

People love his visuals and I could agree with them..
But guys, Anyma is one of the best in the business for sound design: maybe it's arrived the moment we feel the music as the main experience.

Considering the quality of his productions which has increased year after year and the ability to move from one genre to another without ever seeming banal, one can clearly perceive that he is a person who loves doing what he does and is positively obsessed with it.

So interesting!

I'm a fan of John Summit, I love the way he switches between different genres such as tech house and melodic house/techno. That remix of Sweet Disposition has opened my mind and gave me lots of ispiration.

Are you the person behind his mixing and mastering?

I don't want his stems / accapella, but can I ask you anything about his productions? For example how complex they are, if you have any tips that you could extract from his productions for a person like me who tries to improve every day in music production.

Kendrick The Goat Nunn

Interesting way to look for a track to remix..

I've tried listening the Top 50 global on Spotify but there is a ton of music that I really don't like at all (such as the ones by Taylor Swift).

Sweet Disposition by John Summit is the perfect remix in my opinion, because it's interesting overall and he has made it without losing the soul of the original track.

I've listened to that track by Hozier and I was thinking that it's very slow to make it as an EDM track..
Did you have any problems with the needed of speed it up?

I hope to see Malaga in the next Euroleague: very great team.
They deserve the spot more than Baskonia.

There is plenty of teams which deserve an Euroleague spot more than a Dubai team.

[Tech House]

https://soundcloud.com/united-ants/shared-dreams-ants-next-gen?si=143dc0c85ecb4e599f53ad65d936b93b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I've made a 35 minutes tech house set for a contest, and I'm waiting for the result of the judges.
I would like to know your opinion about the music selection and the transitions.

I've made a 35 minutes tech house set for a contest, and I'm waiting for the judges' results.
I would like to know your opinion about the music selection and the transitions.

https://soundcloud.com/united-ants/shared-dreams-ants-next-gen?si=143dc0c85ecb4e599f53ad65d936b93b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

"If you've only got 2yrs experience in FL Studio behind you, it might not be that big of a deal to move away - Ableton has a way different work flow than FL. It's way less chaotic, feels much more linear. It does a lot of things automatically that you have to do manually in FL Studio too."

Can you say me one of these things? Just to understand. Thanks!

Very interesting point of view, thanks a lot for the advice!

I'm trying to understand why Ableton is much more popular than FL Studio.

I noticed that FL Studio is very popular in Dutch electronics, many of them use FL.

My doubts also arise from this fact: why do those who work in industry use Ableton much more than FL? With perhaps Logic Pro growing little by little, it has a very interesting interface for that matter.

Never heard enough about Reason: after FL and Ableton I've always seen lots of people using Logic Pro. Very interesting, I'll give a look.

And I agree with your way to see this thing, honestly.
I'm trying to understand if a switch could bring me some pros that now I'm not able to see clearly.

From the various courses I have followed, I have also noticed that Ableton has a much more "professional" approach to plugins and mix buses, while FL is a little lacking in this. The management of the plugin chain in the individual channels seems a little outdated compared to Ableton's management interface, which also seems a little tidier to me.

I still have no idea how useful the discussion of patterns is in FL Studio compared to the way in which Ableton is declined... It seems to me that it is very interesting to have different rows for MIDI but to be able to group them in that way there.

What are your thoughts on automation instead? Which of the two views do you like more?

If Sir Alex had been there instead of Villas Boas, Terry would have traveled as a checked baggage.